The eponymous temptress of Dolly Parton’s 1973 hit “Jolene” was based, according to the country singer, on a bank teller who flirted with her husband, Carl Dean. “Every time I look at him sleeping over there in his La-Z-Boy, snoring, that hair turning gray at the temples,” Parton said in a 2014 interview, “I wonder if Jolene is still around. I’ll call her up and say, ‘You come and get him now!’ ”
Archive
Miscellany
During the 1679 plague of Vienna, a drunken balladeer named Marx Augustin passed out in a gutter. Gravediggers, mistaking him for dead, carried him beyond the city walls and threw him and his bagpipes into a pit filled with the bodies of plague victims. Upon waking the next day, Augustin was unable to get out of the mass grave. He played his bagpipes and was eventually rescued. “Ach, du Lieber Augustin,” a defiant song of loss based on his misadventure, remains a favorite in Vienna today. In 1908 composer Arnold Schoenberg quoted the folk song in the second movement of his String Quartet no. 2 in F-sharp Minor, op. 10.
Saint Augustine based his definition of original sin on a misinterpretation of the Greek in Romans 5:12. According to Augustine’s misreading, sin is contracted and passed through the human race like a venereal disease. “We all were in that one man,” he wrote of Adam, who Augustine believed contained the nature of all future men, which was transmitted through Adam’s semen. The human race is therefore a “train of evil,” headed for destruction. The monk Pelagius argued against this concept, known as seminal headship. The Council of Orange accepted Augustine’s doctrine of original sin in 529.
Alfred, Lord Tennyson, once said of Lord Byron, “I was fourteen when I heard of his death. It seemed an awful calamity; I remember I rushed out of doors, sat down by myself, shouted aloud, and wrote on the sandstone: BYRON IS DEAD!”
In The Third Man, Orson Welles’ character Harry Lime says, “In Italy for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace, and what did that produce? The cuckoo clock.” Graham Greene, who co-wrote the script with director Carol Reed, said that it was “the best line of the film”—and that Welles wrote it. Welles recalled, “When the picture came out, the Swiss very nicely pointed out to me that they’ve never made any cuckoo clocks—they all come from the Schwarzwald in Bavaria!”
According to Dignitas, an end-of-life clinic located in Switzerland, 70 percent of people who begin the formal process of assisted suicide do not go through with it.
The Book of the General Laws and Liberties Concerning the Inhabitants of Massachusetts, passed in 1647 and published the following year, contained capital law number fourteen, stating that a “stubborn or rebellious son” could be put to death.
In one of the last letters he ever sent, in October 1913, Ambrose Bierce wrote to his niece, “Goodbye—if you hear of my being stood up against a Mexican stone wall and shot to rags, please know that I think that a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico—ah, that is euthanasia.” His intention was to see the Mexican Revolution, but the circumstances of his death are unknown.
At a seance in the White House in 1862, Nettie Colburn Maynard, the medium, recalled that, after losing consciousness, she, channeling Daniel Webster, spoke for over an hour, during which President Abraham Lincoln was assured that the Emancipation Proclamation he had written but not signed would be “the crowning event of his administration and life” and that he needed to “stand firm” against dissenters. Arthur Conan Doyle later speculated that it “may have been one of the most important [moments] in the history of the United States.”
Nathaniel Hawthorne and Henry Wadsworth Longfellow attended Bowdoin College—both class of 1825—at the same time as Franklin Pierce, who was a year ahead of them. The fourteenth president of the United States was at Hawthorne’s side when the author died in 1864. Longfellow served as a pallbearer at the funeral.
Michel de Montaigne’s father believed “it disorders the tender brains of children to awake them by surprise in the morning, and suddenly and violently to snatch them from sleep”; he preferred to rouse his son from slumber “by the sound of some instrument of music,” likely an early form of harpsichord called an epinette. Montaigne recalled later that he “was never without a musician for that purpose.”
Before Michelangelo’s David was placed in Florence’s Piazza della Signoria in 1504, Leonardo argued the nude sculpture needed “a decent ornament” and sketched it with underpants inked on. David was later fitted with a prim brass girdle sustaining twenty-eight copper leaves. It remained for at least forty years.
A 52-million-year-old fossilized tomatillo found in January 2017 revealed the fruit to be five times older than scientists had previously thought. “The initial discovery was a very big OMG moment,” said paleobotanist Peter Wilf. “I was like, ‘Wait a minute, wait a minute, wait a minute. Could it be? Could it be? Could it be? Really? Really? Really?’ Then I just went nuts.”
In his Muqaddimah, the fourteenth-century Arab historian Ibn Khaldun describes talismans that make use of “the loving numbers” 220 and 284 to create the perfect union between friends or lovers. Two effigies are created, and the larger number is placed on the effigy of “the person whose friendship is sought.” The result of this “magical operation,” he explains, is a connection between the two such that “one is hardly able to break away from the other.”
“A horrid-looking wretch he is, sooty and scoundrelly in aspect, a cross between the nutmeg dealer, the horse swapper, and the night man,” declared a Stephen Douglas–leaning newspaper of Abraham Lincoln during the presidential race of 1860.