In 1987 Nike paid both Capitol Records and Michael Jackson, owner of the publication rights to much of the Beatles’ catalog, a licensing fee of $500,000 to use “Revolution” in an advertisement. Lawyers for the Beatles filed a $15-million lawsuit, stating that the band didn’t “endorse or peddle sneakers or pantyhose.” The case was settled out of court.
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Waves generated by the Indian Ocean tsunami in 2004 reached the shores of Peru and Nova Scotia.
Humpback whales, which have a sonic range of at least seven octaves, create songs between the length of a modern ballad and a symphony movement, possibly because their attention span is similar to that of humans. Their tunes also contain repeated refrains that form melodic rhymes, suggesting that, like humans, they use these as mnemonic devices.
After Helen Gahagan Douglas was elected as a Democratic representative in 1944, news outlets spread rumors of a vicious rivalry between her and Republican congresswoman Clare Boothe Luce; one headline read helen vs. clare: torch vs. icicle. “For reporters short of real news,” Douglas complained, “it was a simple day’s work to speculate that we would claw at one another.” The women resolved to avoid giving fodder to such baseless stories by never discussing the same subject on the same day.
About how statements get written up by the press, Andy Warhol wrote, “It would always be different from what I’d actually said—and a lot more fun for me to read. Like if I’d said, ‘In the future everyone will be famous for fifteen minutes,’ it could come out ‘In fifteen minutes everyone will be famous.’ ” About the future, Andy Warhol also wrote, “I really do live for the future, because when I’m eating a box of candy, I can’t wait to taste the last piece. I don’t even taste any of the other pieces.”
In William Shakespeare’s Macbeth, Macduff asks the Porter, “What three things does drink especially provoke?” The Porter replies, “nose painting, sleep, and urine”—the first of which is usually taken to mean the red flush that comes across a drinker’s face. It also leads to lechery, the Porter says, adding, “it provokes the desire, but it takes away the performance.”
“Where were you last night?” Yvonne asks Rick Blaine, played by Humphrey Bogart, in Casablanca. “That’s so long ago, I don’t remember.” Her follow-up: “Will I see you tonight?” To which he replies, “I never make plans that far ahead.”
In January 1787 Catherine the Great embarked on a six-month survey of her empire, and Gregory Potemkin, former lover and governor general of Crimea, was among those in charge of the tour. Georg von Helbig, a critic of Potemkin, coined the term Potemkin villages to indict the governor general for falsifying his accomplishments, going so far as to claim that while Catherine sailed the Dnieper River, elaborate facades were set up, removed, and placed farther downriver so that she would see the same scenes five or six times.
The duke of Milan, Azzo Visconti, commissioned a clock to be built in the campanile of San Gottardo; upon its completion in 1336 his secretary, Galvano Fiamma, wrote that the “admirable” timepiece had bells that struck “twenty-four times according to the number of the twenty-four hours of the day and night.” He concluded, “This is exceedingly necessary for people of all estates.” It is the first documented hour-striking clock in a public setting. A Milanese chronicle later reported Visconti’s time of death as August 14, 1339, in the twentieth hour—the first modern reference to an hour indicator in such a context.
On April 2, 1877, at London’s Royal Aquarium, a fourteen-year-old girl with the stage name Zazel became the first female to perform the human-cannonball trick in public. She later worked for P. T. Barnum, who, in response to the “Dangerous Performances Bill” under consideration by British Parliament, wrote defensively to the New York Times in 1880 that he paid Zazel $250 a day—“I should never have invested this large sum in any feature, however attractive, had I not known it was placed beyond the chance of accident.”
In his catalogue of the world’s people in his Natural History, Pliny the Elder mentioned Scythians who feed on human flesh, Africans who “are frequently seen to all appearance and then vanish in an instant,” the Arimaspi who have only one eye, the Adrogyni who possess male and female parts, and the Monocoli who are born with “only one leg, but are able to leap with surprising agility.”
Corporations, wrote Edward Coke in a 1613 legal decision, “have no souls,” for they are “invisible, immortal, and resteth only in intendment and consideration of the law.” A corporate body, Coke argued, can’t “do fealty, for an invisible body cannot be in person, nor can swear.”
While uniting rival clans into a nation in the third millennium bc, China’s Yellow Emperor is said to have established prohibitions against feuding by making a gruesome example of one rebellious leader—peeling the man’s skin off to use for target practice, stuffing his stomach to make a ball to kick around, and fermenting his flesh and bones into a bitter broth to drink.
“I must admit, ‘the Mitfords’ would madden me if I didn’t chance to be one,” Diana Mitford—the sister who had wed the leader of the British Union of Fascists in 1936 at the house of Joseph Goebbels—wrote at the age of seventy-four in 1985 to her youngest sister, Deborah, who had married Andrew Robert Buxton Cavendish, 11th Duke of Devonshire, in 1941.
Before Michelangelo’s David was placed in Florence’s Piazza della Signoria in 1504, Leonardo argued the nude sculpture needed “a decent ornament” and sketched it with underpants inked on. David was later fitted with a prim brass girdle sustaining twenty-eight copper leaves. It remained for at least forty years.