For the 1968 DNC in Chicago, Esquire sent Terry Southern, Jean Genet, and William S. Burroughs to cover it. A “hard-hitting little press team,” Southern wrote, that, later joined by Allen Ginsberg, “had one hell of a time actually getting admitted to the hall, despite proper credentials. Burroughs and I, of course, are veritable paragons of fashion and decorum—but Ginsberg and Genet, it must be admitted, are pretty weird-looking guys.”
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The eponymous temptress of Dolly Parton’s 1973 hit “Jolene” was based, according to the country singer, on a bank teller who flirted with her husband, Carl Dean. “Every time I look at him sleeping over there in his La-Z-Boy, snoring, that hair turning gray at the temples,” Parton said in a 2014 interview, “I wonder if Jolene is still around. I’ll call her up and say, ‘You come and get him now!’ ”
Malingering amnesia, in which a person fakes symptoms of memory loss, is often associated with attempted financial gain, typically among personal-injury claimants. According to a 2003 study, 29 percent of criminals sentenced to life imprisonment claimed at their trials that they suffered from amnesia. A visual recognition test, such as the Test of Memory Malingering, can be used to detect fraud of this kind.
President Abraham Lincoln on November 21, 1864, sent a letter to Mrs. Bixby, who, the War Department informed him, had lost five sons fighting for the Union. “I pray that our Heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours to have laid so costly a sacrifice upon the altar of freedom.” In fact, two of Mrs. Bixby’s sons were killed in action, a third either deserted or died while a prisoner of war, a fourth was honorably discharged, and the fifth deserted.
The medieval Occitan troubadour known as the Monk of Montaudon was a master of the enueg, “song of annoyance.” “I can’t stand a long wait,” he complains in one composition, written around 1200, “Or a priest who lies and perjures himself / Or an old whore who is past it, / And—by Saint Delmas—I don’t like / A base man who enjoys too much comfort.” The song goes on in this fashion for nine more verses.
“Where were you last night?” Yvonne asks Rick Blaine, played by Humphrey Bogart, in Casablanca. “That’s so long ago, I don’t remember.” Her follow-up: “Will I see you tonight?” To which he replies, “I never make plans that far ahead.”
“History is more or less bunk,” Henry Ford told the Chicago Tribune in 1916. “It’s tradition. We don’t want tradition. We want to live in the present and the only history that is worth a tinker’s damn is the history we make today.”
“When a vision comes from the thunder beings of the West,” the Lakota heyoka Black Elk explained in 1932, “it comes with terror like a thunderstorm; but when the storm of vision has passed, the world is greener and happier; for wherever the truth of vision comes upon the world, it is like a rain. The world, you see, is happier after the terror of the storm.”
The first lines spoken by the old shepherd in William Shakespeare’s The Winter’s Tale are, “I would there were no age between ten and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting.”
According to Diogenes Laërtius’ third-century Lives and Opinions of the Eminent Philosophers, Plato was applauded for his definition of man as a featherless biped, so Diogenes the Cynic “plucked the feathers from a cock, brought it to Plato’s school, and said, ‘Here is Plato’s man.’ ” When asked about the origin of his epithet, cynic deriving from the Greek word for dog, Diogenes replied that it was given to him because he “fawns upon those who give him anything and barks at those who give him nothing.”
“It is indeed impossible to imagine our own death,” Sigmund Freud wrote in 1915, “and whenever we attempt to do so, we can perceive that we are in fact still present as spectators. Hence the psychoanalytic school could venture on the assertion that, at bottom, no one believes in his own death, or to put the same thing another way, that, in the unconscious, every one of us is convinced of his own immortality.”
In Britain in 60, Boudicca, queen of the Iceni tribe, led a revolt against the occupying Romans. According to the historian Tacitus, her forces killed seventy thousand people, sacking and burning the cities later known as St. Albans, Colchester, and London. “We must conquer in the line of battle or fall,” she announced before her final charge. “That is the fate of this woman; let men live on as slaves if they wish.”
Menstrual taboos persisted in nineteenth-century Europe. In the Rhine it was said that women on their periods turned fermenting wine to vinegar, in France that they were unable to whip up a successful batch of mayonnaise, in Britain that “women should not rub the legs of pork with the brine-pickle at the time they are menstruating, or the hams will go bad.”
“Aristotle thought earthquakes were caused by winds trapped in subterranean caves,” wrote Anne Carson in her 2019 play Norma Jeane Baker of Troy. “We’re more scientific now, we know it’s just five guys fracking the fuck out of the world while it’s still legal.”
When Booker T. Washington and Austrian ambassador Ladislaus Hengelmüller visited the White House on the same day in November 1905, Hengelmüller took Washington’s overcoat by mistake. According to the Washington Post, he noticed the mix-up on finding in the pocket “the left hind foot of a graveyard rabbit, killed in the dark of the moon,” which he “heroically relinquished.”