Corporations, wrote Edward Coke in a 1613 legal decision, “have no souls,” for they are “invisible, immortal, and resteth only in intendment and consideration of the law.” A corporate body, Coke argued, can’t “do fealty, for an invisible body cannot be in person, nor can swear.”
Archive
Miscellany
“But soft! what light through yonder window breaks?/It speaks, and yet says nothing.” An apt description of TV, Marshall McLuhan said, when he quoted Shakespeare in Understanding Media. Romeo’s line is in fact “She speaks, yet she says nothing,” and refers to Juliet, who is likened to light—and it actually occurs in the play ten lines after the first.
“People think this pandemic is an accident,” wrote Nassim Nicholas Taleb in May 2020 of the Covid-19 crisis. “It is not. It is part of the system we have built. When you read the history of England, Italy, and the Middle East, you read of frequent quarantines and lockdowns because of sieges and plagues. These were built into the economic landscape and into the costs of every merchant. So the cost of the pandemic and future pandemics should be set against gross domestic product figures. We must realize our real economic growth is much lower than our annual figures suggest because the disasters wipe out the growth of preceding years.”
In 1891 Erik Weisz began using the stage name Harry Houdini—the first name deriving from his nickname “Ehrie” and the surname from the great French magician Jean-Eugène Robert-Houdin, who himself had taken the surname from his wife, Josephe Cecile Eglantine Houdin, in order, he wrote, “to distinguish me from my numerous homonyms.”
George Washington completed his second and final term as president in 1797 and moved back to Mount Vernon, where his farm manager, a Scotsman, convinced him to build a whiskey distillery to earn higher profits on his estate. “I make use of no barley in my distillery,” he wrote in 1798. “Rye chiefly and Indian corn in a certain proportion compose the materials from which the whiskey is made.” Having expanded operations by 1799, the year of his death, he owned five stills in a building of 2,250 square feet with a yearly yield of nearly 10,500 gallons. It is considered to have been one of the country’s largest distilleries at that time.
“In Turkish we have a special tense that allows us to distinguish hearsay from what we’ve seen with our own eyes,” wrote Orhan Pamuk in Istanbul: Memories and the City. “When we are relating dreams, fairy tales, or past events we could not have witnessed, we use this tense. It is a useful distinction to make as we ‘remember’ our earliest life experiences, our cradles, our baby carriages, our first steps, all as reported by our parents, stories to which we listen with the same rapt attention we might pay some brilliant tale of some other person.”
Paul Wittgenstein, brother of Ludwig, lost his right arm in combat during the First World War. Wishing to continue playing the piano, he commissioned one-handed works from esteemed composers, including Benjamin Britten, Sergey Prokofiev, and Maurice Ravel, insisting, for some, on having exclusive lifetime performance rights.
Questions asked in TV commercials aired in 1993: “Have you ever borrowed a book thousands of miles away? Or sent someone a fax from the beach? Have you ever paid a toll without slowing down? Have you ever watched a movie you wanted to, the minute you wanted to?” The answer: “You will. And the company that will bring it to you? AT&T.”
A study of sixty-two mammalian species found that animals around the world have shifted into more nocturnal lives. “Humans are now this ubiquitous, terrifying force on the planet,” said lead author Kaitlyn Gaynor, “and we are driving all the other mammals back into the night-time.” The Southeast Asian sun bear, formerly diurnal, now spends as much as 70 percent more time awake at night to avoid humans.
Vomitorium, noun: A large passageway in an ancient amphitheater out of which crowds emptied. In Antic Hay, published in 1924, Aldous Huxley became the first recorded author in English to state erroneously that it was a domestic room in which overfed Romans vomited after feasts.
Before the nineteenth century, a conductor’s baton was a baseball-bat-size implement that was banged against the floor to keep time. This could be dangerous. In 1687, while conducting a symphony playing Te Deum for Louis XIV, who had just recovered from serious illness, composer Jean-Baptiste Lully accidentally struck his foot with his baton, causing inflammation in his toe. He refused amputation, and an infection spread, killing him two months later.
On July 13, 1793, a Girondist young woman stabbed to death the Montagnard Jean-Paul Marat, editor of The Friend of the People. The state funeral was arranged by Jacques-Louis David, who soon afterward painted his Death of Marat; every member of the National Convention came, and the Marquis de Sade delivered the eulogy.
Washington Post fashion critic Robin Givhan reported on a pink blazer and black V-neck shirt worn on the Senate floor in 2007. “There was cleavage on display Wednesday afternoon on C-SPAN2,” Givhan wrote. “It belonged to Senator Hillary Clinton.”
In 2016, after saxophonist Dan Fabbio was diagnosed with a brain tumor, neuroscientists in Rochester, New York, used functional MRI scans to create a brain map indicating areas crucial for music processing. Fabbio was awake during the surgery and, once the tumor was removed, played a Korean folk song to ensure his skill on saxophone remained; the song’s short notes allowed him to take shallow breaths so his brain would not protrude from his opened skull.
Walter Kirke, British deputy head of military intelligence in France, noted in his diary in October 1915 that the chief (“C”) of the Secret Intelligence Service had come upon a solution for how to send secret messages: “Heard from C that the best invisible ink is semen,” Kirke wrote. The substance, it turned out, was hard to detect by the common revealing method of iodine vapor. The chief’s name: Mansfield Cumming.