Including trademarks in books became crucial after the invention of the printing press; without stringent copyright laws, rival publishers could repurpose superiorly edited texts with impunity. Aldus Manutius of Venice, who employed Erasmus as a proofreader, called attention to his company’s “sign of the dolphin wound round the anchor.” Florentine printers were aping the mark, but in the frauds, “the head of the dolphin is turned to the left, whereas that of ours is well known to be turned to the right.”
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Before the nineteenth century, a conductor’s baton was a baseball-bat-size implement that was banged against the floor to keep time. This could be dangerous. In 1687, while conducting a symphony playing Te Deum for Louis XIV, who had just recovered from serious illness, composer Jean-Baptiste Lully accidentally struck his foot with his baton, causing inflammation in his toe. He refused amputation, and an infection spread, killing him two months later.
Annoyed by a prohibition against nocturnal work in late medieval France—enacted because candles provided insufficient light for quality performance—employers complained to Louis XI that workers occupied themselves from “four or five o’clock until the next day with various games and dissipations, and hardly want to apply themselves to do well.” In the winter of 1467, they received permission to extend working hours to ten pm.
Residents of North Yorkshire from the eleventh to fourteenth centuries were so afraid of the dead rising to attack the living that they would dismember, decapitate, burn, and otherwise mutilate corpses before burying them. The process was generally undertaken shortly after death, when the bones were still soft.
The third-century Greek biographer Diogenes Laërtius stated that one of the favorite sayings of Antisthenes was, “The fellowship of brothers of one mind was stronger than any fortified city.” Laërtius also recalled an anecdote about Socrates—when asked by a young man if he should marry or not, the philosopher replied, “Whichever you do, you will regret it.”
For brawling with a papal scribe in 1462, poet François Villon was imprisoned and sentenced to be “strangled and hanged.” While awaiting his death, he wrote this quatrain: “Francis I am, which weighs me down, / born in Paris near Pontoise town, / and with a stretch of rope my pate / will learn for once my arse’s weight.” On January 5, 1463, the sentence was commuted to banishment from Paris. Nothing further is known of his life.
During the Middle Ages, wild animals were often believed to be devil-possessed. Wolves, moles, and caterpillars were tried in courts and executed. A story is told of Saint Dominic catching a sparrow, plucking it alive, and rejoicing in his triumph over the powers of darkness. By 1531 a legist argued that “rural pests would simply laugh” at civil-court censure but “have greater fear” of the Church’s power of anathema and should be excommunicated.
From History of Dearborn, Ohio, and Switzerland Counties, Indiana (1885): “It has been repeated time and again that the annexation of Texas was carried in the U.S. Senate by one vote; that Edward A. Hannegan, then the U.S. senator from Indiana, was elected to the Senate by one vote, and that that one vote was given Hannegan by Daniel Kelso, then senator from Switzerland County, who was elected by one majority. This is an error, for Kelso, when he voted for Hannegan, represented Switzerland County by virtue of a majority of about 150 voters of the county, over Samuel Howard, at the August election of 1842. In 1843 David Henry was elected over Kelso by one majority. Kelso contested the election, and the Senate declared that neither was elected and sent them back to the people for decision, and at the August election, 1844, Henry was elected by a small but decided majority.”
In one of the earliest references to the tragedy of the commons—a concept that describes how people use natural resources to their advantage without considering the cost to society—the economist William Forster Lloyd asked in 1833, “Why are the cattle on a common so puny and stunted? Why is the common itself so bare-worn and cropped so differently from adjoining enclosures?”
“The die,” wrote geographer Pausanias circa 150, “is the plaything of youths and maidens, who have nothing of the ugliness of old age.”
Malingering amnesia, in which a person fakes symptoms of memory loss, is often associated with attempted financial gain, typically among personal-injury claimants. According to a 2003 study, 29 percent of criminals sentenced to life imprisonment claimed at their trials that they suffered from amnesia. A visual recognition test, such as the Test of Memory Malingering, can be used to detect fraud of this kind.
Using symbolically coded messages hidden in beer barrels, Catholic conspirators communicated with the imprisoned Mary, Queen of Scots, about a plan to kill Elizabeth I. Francis Walsingham, the queen’s spymaster, obtained a message, employed a codebreaker, and found evidence that Mary approved of the assassination. She was beheaded for treason in 1587.
In 1872, railroad magnate and racehorse owner Leland Stanford hired Eadweard Muybridge, then famous for his photographs of Yosemite Valley, to capture evidence on film that at a certain point in a horse’s trot, all four of its legs were simultaneously off the ground. Five years later, Muybridge developed a camera with a shutter speed of 2/1000 of a second, fast enough to prove Stanford correct. Muybridge went on a lecture tour with a device of his own design, the zoopraxiscope, which, through the rapid projection of photographic images, created the illusion of continuous movement.
The contentious relationship of the two Roman consuls of 59 bc, Julius Caesar and Marcus Calpurnius Bibulus, culminated in the former arranging to have the latter attacked in the Forum in order to prevent him from voting against an agrarian law Caesar supported. The next day Bibulus tried to censure Caesar formally but found no support among the senators. “From that time until the end of his term,” wrote Suetonius, Bibulus “did not leave his house, but merely issued proclamations announcing adverse omens.”
Opening night of Henry James’ Guy Domville, on January 5, 1895, was “an unmitigated disaster,” James wrote in a letter, “hooted at, as I was hooted at myself, by a brutal mob, and fruitless of any of the consequences for which I have striven.” The play’s reception, he wrote, “has completely sickened me with the theater and made me feel, at any rate for the present, like washing my hands of it forever.”