
Six Tuscan Poets, by Giorgio Vasari, 1544. Minneapolis Institute of Arts, Minnesota.
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Miscellany
After serving as longtime copyeditor for The New Yorker, Wolcott Gibbs in the 1930s moved on to write drama criticism for the magazine and sent editor Harold Ross a document entitled “Theory and Practice of Editing New Yorker Articles.” Among his notes were: “1. Writers always use too damn many adverbs”; “20. The more ‘as a matter of facts,’ ‘howevers,’ ‘for instances,’ etc., etc., you can cut out, the nearer you are to the Kingdom of Heaven”; and lastly, “31. Try to preserve an author’s style if he is an author and has a style.”
We should have a great many fewer disputes in the world if words were taken for what they are, the signs of our ideas only, and not for things themselves.
—John Locke, 1690