
Design for a Machine, French, eighteenth century. The Metropolitan Museum of Art, Elisha Whittelsey Collection, Elisha Whittelsey Fund, 1962.
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Miscellany
Euripidean drama requires “the sudden jolt of the machine” to clarify the characters’ “peculiar sense of the political,” writes classicist John Snyder. “The deus ex machina breaks in because that is what history does…outside forces, irrational, nonhuman in origin and agency, yet utterly human at the same time, make people do what they do.”
The belly is the teacher of the arts and bestower of invention.
—Persius, c. 55