“As a young man, he was totally asexual,” Luis Buñuel recalled of Salvador Dalí, elaborating in a parenthetical comment, “Of course, he’s seduced many, particularly American heiresses; but those seductions usually entailed stripping them naked in his apartment, frying a couple of eggs, putting them on the women’s shoulders, and, without a word, showing them to the door.”
Gertrude Stein recalled that on the copy of her final exam for a class taught by William James she wrote, “Dear Professor James, I am so sorry but really I do not feel a bit like an examination paper in philosophy today.” She then left the room. The next day a note arrived from Professor James that said, “Dear Miss Stein, I understand perfectly how you feel. I often feel like that myself”—and then awarded her the highest mark in the course.
Discussing the “secret and more adult” appeal of Shirley Temple, Graham Greene wrote in his review of Wee Willie Winkie in 1937, “Her admirers—middle-aged men and clergymen—respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialog drops between their intelligence and their desire.” He also noted her “neat and well-developed rump” and “dimpled depravity.” Twentieth Century Fox sued for libel, Greene fled to Mexico, and a court ordered a settlement of 3,500 pounds.
The first lines spoken by the old shepherd in William Shakespeare’s The Winter’s Tale are, “I would there were no age between ten and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting.”
Phia Rilke’s infant daughter had died a year before she gave birth to her son. She named him René Maria—sometimes referring to him as Fräulein, Margaret, and Sophie—and gave him dolls to play with, dressing him as a girl until he was six years old. The poet did not start using Rainer instead of René until he was in his twenties.
“The death of a newborn child before that of its parents may seem an unnatural, but it is strictly a probable, event,” observed Edward Gibbon in his Memoirs. He was his parents’ first child; the next six all died in infancy. Some twenty years earlier, Jean-Jacques Rousseau wrote, “One half of the children who are born die before their eighth year…This is nature’s law; why contradict it?”
Nathaniel Hawthorne and Henry Wadsworth Longfellow attended Bowdoin College—both class of 1825—at the same time as Franklin Pierce, who was a year ahead of them. The fourteenth president of the United States was at Hawthorne’s side when the author died in 1864. Longfellow served as a pallbearer at the funeral.
Paul Cézanne’s father, a banker, was fond of telling his son, “Young man, young man, think of the future! With genius you die, with money you live.” At least this is according to Émile Zola, who recalled the words of admonishment in one of his letters to his friend Paul. The two had first met as teenagers at boarding school in the 1850s.
William Blake’s wife reminded the poet in old age, “You know, dear, the first time you saw God was when you were four years old, and He put His head to the window and set you a-screaming.” Allen Ginsberg said that in 1948, while a senior at Columbia University, he was visited by the voice of Blake, which revealed to him the power of poetry—this was after he had read one of Blake’s poems while masturbating.
The critic Vladimir Stassov recalled that when the composers Nikolai Rimsky-Korsakov and Modest Mussorgsky “were still young men living together in one room…The piano could be heard, and the singing would start, and with great excitement and bustle they would show me what they had composed the previous day, or the day before or the day before that—how wonderful it was."