“Kings embodied the whole period of their reign,” wrote Elias Canetti in Crowds and Power. “Their death, whether it came with the decline of their strength or, as later, coincided with their natural span of life, indicated a break in time. They were time. Between one king and the next, time stood still. There was a gap in it—an interregnum—which people sought to keep as short as possible.”
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Walter Kirke, British deputy head of military intelligence in France, noted in his diary in October 1915 that the chief (“C”) of the Secret Intelligence Service had come upon a solution for how to send secret messages: “Heard from C that the best invisible ink is semen,” Kirke wrote. The substance, it turned out, was hard to detect by the common revealing method of iodine vapor. The chief’s name: Mansfield Cumming.
According to Thucydides, before the plague of Athens, the Athenians were divided over whether the disaster predicted by an oracle would be a limos (famine) or a loimos (plague). “In the case of unwritten prophecies,” wrote one classicist, “it would be impossible to determine which word the speaker meant to use. The ambiguity of the sound would have been its chief recommendation to the soothsayer.”
Lorenzo de’ Medici once observed a young sculptor complete the head of an old and wrinkled faun whose mouth he had rendered open. While astonished at the craftsmanship, Lorenzo pointed out that old men never have all their teeth. Once the great patron of the arts had left, the artist knocked out one of the teeth; when Lorenzo returned and saw the statue again, he was so taken with the new version that he decided to adopt the artist, whose name was Michelangelo.
Astrologers of the Ayyubid Empire predicted in 1186 that the world would end September 16 of that year; a dust storm, stirred up by planetary alignment, would scour the earth of life. Sultan Saladin criticized the “feeble minds” of believers and planned an open-air, candlelit party for that evening. “We never saw a night as calm as that,” an attendee later remarked.
According to sixth-century-bc Greek poet Hipponax of Colophon, in times of drought, famine, or plague an ugly or deformed person was chosen by the community to be pharmakós, or scapegoat. After being fed figs, barley cake, and cheese, he would be struck on the genitals with the bulbs and twigs of wild plants, led on a procession accompanied by flute, and burned on a pyre. His ashes were thrown into the sea. It is believed that Hipponax, whom Pliny the Elder once called “notoriously ugly,” may have been exaggerating the ritual.
In 1936, as part of the Federal Theater Project, Orson Welles at the age of twenty staged a version of Macbeth with an all-black cast, substituting voodoo for witchcraft and changing the setting from Scotland to Haiti. Reflecting on his interest in film in an interview in 1958, Welles said, “I liked cinema before I began to do it. Now I can’t stop myself from hearing the clappers at the beginning of each shot; the magic is destroyed.”
The longest filibuster in U.S. Senate history lasted twenty-four hours and eighteen minutes, a record set in 1957 by Strom Thurmond of South Carolina to stall passage of the Civil Rights Act. Thurmond died in 2003, holding his same Senate seat.
William Blake’s wife reminded the poet in old age, “You know, dear, the first time you saw God was when you were four years old, and He put His head to the window and set you a-screaming.” Allen Ginsberg said that in 1948, while a senior at Columbia University, he was visited by the voice of Blake, which revealed to him the power of poetry—this was after he had read one of Blake’s poems while masturbating.
In 2005 the British Cheese Board attempted to dispel the idea that eating cheese before bed causes nightmares. No evidence of this “evil myth” was reported among two hundred volunteers, though eating Stilton was found to lead to “crazy” dreams, while eating cheddar often led to dreams of celebrities. “We hope that people will think positively about eating cheese before bed,” said the board secretary.
Ancient Greeks and Romans expanded the concept of philanthropy—love for mankind— to include animals’ love for humans. Plutarch called the fawn “tame and philanthropos.” Aristotle referred to the snipe and jackal as philanthropoi. “It is necessary that they not only love humans,” wrote Xenophon of horses, “but that they long for them.”
“Come, morphine addicts, come and kill us in our own land,” wrote Nicaraguan guerilla leader Augusto César Sandino in a manifesto in 1927. “But keep in mind that when this happens, the Capitol building in Washington will shake with the destruction of your greatness, and our blood will redden the white doom of your famous White House, the cavern where you concoct your crimes.”
Describing phalanx warfare, Thucydides wrote that “fear makes every man want to do his best to find protection for his unarmed side in the shield of the man next to him on the right.” The soldier farthest right must try to “keep his own unarmed side away from the enemy, and his fear spreads to the others who follow his example.” The effect of this fear, wrote the historian: “the right wing tends to get unduly extended.”
Pantagruelian feasts, common at Gallo-Roman villas, followed the Gallic custom of eating around a table rather than the Roman method of doing so while lying down supported by one elbow. After one banquet, it was recorded that all “remained seated on their benches. They had drunk so much wine and had so gorged themselves that the slaves and the guests lay drunk in every corner of the house, wherever they happened to stumble.”
A public announcement from 156 bc offers a reward of three talents of copper for the recapture of an eighteen-year-old Syrian-born slave named Hermon who has escaped from an Alexandria household; two talents to anyone who “points him out in a temple”; five if he is found “in the house of a substantial and actionable man.” The advertisement notes that Hermon “has taken with him three octadrachms of coined gold, ten pearls, an iron ring…and is wearing a cloak and a loincloth”; that he has “a mole by the left side of the nose”; and that he is “tattooed on the right wrist with two barbaric letters.”