A 2011 study found that Chinese consumers are charged more due to “superstitious manipulations” of retail prices—fives and sixes appear more often than unlucky fours, eights and nines more than unlucky sevens. “Retailers,” the study reported, “are the clear winners.”
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“I have personally watched and studied a jealous baby,” Saint Augustine reports in his Confessions. “He could not speak and, pale with jealousy and bitterness, glared at his brother sharing his mother’s milk.” Regarding the baby’s sinister intent, Augustine contends that “it can hardly be innocence,” when the milk “is flowing richly and abundantly, not to endure a share going to one’s blood brother, who is in profound need.”
Among the anecdotes, descriptions, and stray ideas in F. Scott Fitzgerald’s Note-Books, a collection modeled on Samuel Butler’s famous version of the same name, are the entries: “story of the ugly aunt in the album,” “sent a girl flowers on Mother’s Day,” “reversion to childhood typical of the only child.”
In 1873, as part of the Bone Wars, paleontologist Othniel Charles Marsh complained in The American Naturalist that his rival, Edward Drinker Cope, was dentally inept; he “mistook canines for incisors, nasals for frontals, maxillaries for premaxillaries, maxillaries for nasals, and maxillaries for frontals!” Cope claimed he was “too fully occupied on more important subjects.”
In democratic Athens, writes classicist Victoria Wohl, “the communication between the law courts and the comic stage ran in both directions: each adopted language and themes from the other,” and plays “constituted a trial in which the theatrical audience was the jury. In this sense, comedy functioned as a kind of counter-jurisdiction, where issues of justice and social order could be debated and resolved, all with a wink and a giggle.”
“Where were you last night?” Yvonne asks Rick Blaine, played by Humphrey Bogart, in Casablanca. “That’s so long ago, I don’t remember.” Her follow-up: “Will I see you tonight?” To which he replies, “I never make plans that far ahead.”
Economist Frédéric Bastiat published a parodic open letter to French parliament in 1845 that imagined the national lighting industry lobbying for a law to black out all windows in response to the “ruinous competition” of the sun, which was “flooding the domestic market.” “Be logical,” the letter concludes, “for as long as you ban, as you do, foreign coal, iron, wheat, and textiles, in proportion as their price approaches zero, how inconsistent it would be to admit the light of the sun, whose price is zero all day long!”
The city of Baltimore has a history of election riots, but the rise of the Know-Nothing Party in the 1850s further exacerbated election violence. One affiliated gang, the Blood Tubs, took barrels of blood from butchers, threw Germans and Irishmen into them, and then chased the bloodied victims down the street. By 1856 Know-Nothings had won local, state, and national contests.
Gone to Greece to fight for the country’s liberation from Ottoman rule, Lord Byron, who financed a fighting force, noted in his journal on September 28, 1823, that he “did not come to join a faction but a nation—and to deal with honest men” and was dismayed to find that “they are such d——d liars; there never was such an incapacity for veracity shown since Eve lived in Paradise.” Nevertheless, he died there on April 19, 1824, after contracting a fever.
In the 1860s editor William Bullock invented a printing press that used continuous-roll paper; it made double-sided copies in mass quantities and transformed publishing. Two years later Bullock got his leg stuck in the press’ belt mechanism while installing one at a Philadelphia newspaper, developed gangrene, underwent an amputation, and died during the operation.
May 1 was codifed in 1820 as the date housing contracts in New York City expired or were renewed. Davy Crockett witnessed moving day in 1834. “It seemed a kind of frolic, as if they were changing houses just for fun,” he wrote. “Every street was crowded with carts, drays, and people. So the world goes. It would take a good deal to get me out of my log house, but here, I understand, many persons ‘move’ every year.”
“When the maids are beautiful and the concubines charming, this is not a blessing,” warns Confucian master Zhu Bolu in a seventeenth-century work of household advice. “For servants,” his next maxim advises, “don’t employ handsome boys.”
Niccolò Machiavelli, author of The Prince, was well known in his lifetime as a comic dramatist. An early performance in Florence of The Mandrake caused Pope Leo X to insist that its actors and scenery be brought to Rome in 1520. In the prologue to Clizia, a play inspired by Plautus, Machiavelli wrote, “Comedies were invented to be of use and of delight to their audiences.”
According to film director Joe Swanberg, a significant number of people believe that an obscure 1985 film about mind control was not in fact real, and that they had dreamed the particulars of the Quebecois film. “The Peanut Butter Solution,” wrote Swanberg, “successfully convinced young viewers that they dreamed it rather than watched it.”
In an 1850 newspaper article, Karl Marx declared that “revolutions are the locomotives of history.” Ninety years later, Walter Benjamin countered with a different analogy: “Marx says that revolutions are the locomotive of world history,” he wrote, “but perhaps it is quite otherwise. Perhaps revolutions are an attempt by the passengers on this train—namely, the human race—to activate the emergency brake.”