When we see a natural style we are quite amazed and delighted, because we expected to see an author and find a man.

Art is making something out of nothing and selling it.

Modesty is a virtue not often found among poets, for almost every one of them thinks himself the greatest in the world.

Everyone should know nowadays the unimportance of the photographic in art—that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.

The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.

Art, like morality, consists of drawing the line somewhere.

Were I called on to define, very briefly, the term art, I should call it “the reproduction of what the senses perceive in nature through the veil of the soul.” The mere imitation, however accurate, of what is in nature, entitles no man to the sacred name of “artist.”

To be a poet is to have a soul so quick to discern that no shade of quality escapes it, and so quick to feel that discernment is but a hand playing with finely ordered variety on the chords of emotion—a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.

I don’t believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there’s one thing that’s dangerous for an artist, it’s precisely this question of total freedom, waiting for inspiration and all the rest of it.

Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.

I always thought of photography as a naughty thing to do—that was one of my favorite things about it—and when I first did it, I felt perverse.

It has always been my practice to cast a long paragraph in a single mold, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.

Art is our chief means of breaking bread with the dead.