Modesty is a virtue not often found among poets, for almost every one of them thinks himself the greatest in the world.
—Miguel de Cervantes, 1615Quotes
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
—André Breton, 1937This is a fault common to all singers, that among their friends they will never sing when they are asked; unasked, they will never desist.
—Horace, c. 35 BCI always thought of photography as a naughty thing to do—that was one of my favorite things about it—and when I first did it, I felt perverse.
—Diane Arbus, c. 1950Everyone should know nowadays the unimportance of the photographic in art—that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
—Tennessee Williams, 1944Nowadays three witty turns of phrase and a lie make a writer.
—G.C. Lichtenberg, c. 1780It has always been my practice to cast a long paragraph in a single mold, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.
—Edward Gibbon, c. 1790Art imitates nature as well as it can, as a pupil follows his master; thus it is a sort of grandchild of God.
—Dante, c. 1315Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
—Henry David Thoreau, 1852All art is a revolt against man’s fate.
—André Malraux, 1951Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture, or philosophy, he makes a bad husband and an ill provider.
—Ralph Waldo Emerson, 1860Art is our chief means of breaking bread with the dead.
—W.H. Auden, c. 1940To be a poet is to have a soul so quick to discern that no shade of quality escapes it, and so quick to feel that discernment is but a hand playing with finely ordered variety on the chords of emotion—a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.
—George Eliot, c. 1872