Archive

Quotes

If we pretend to respect the artist at all, we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions.

—Henry James, 1884

Art lives from constraints and dies from freedom.

—Leonardo da Vinci, c. 1480

I don’t believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there’s one thing that’s dangerous for an artist, it’s precisely this question of total freedom, waiting for inspiration and all the rest of it.

—Federico Fellini, c. 1950

The aim of art is to represent not the outward appearance of things, but their inward significance.

—Aristotle, c. 350 BC

This is a fault common to all singers, that among their friends they will never sing when they are asked; unasked, they will never desist.

—Horace, c. 35 BC

Art imitates nature as well as it can, as a pupil follows his master; thus it is a sort of grandchild of God.

—Dante, c. 1315

If my books had been any worse I should not have been invited to Hollywood, and if they had been any better I should not have come.

—Raymond Chandler, 1945

Nowadays three witty turns of phrase and a lie make a writer.

—G.C. Lichtenberg, c. 1780

All art is a revolt against man’s fate.

—André Malraux, 1951

If it were not for the intellectual snobs who pay in solid cash—the tribute which philistinism owes to culture, the arts would perish with their starving practitioners. Let us thank heaven for hypocrisy.

—Aldous Huxley, 1926

Art, like morality, consists of drawing the line somewhere.

—G.K. Chesterton, 1928

I always thought of photography as a naughty thing to do—that was one of my favorite things about it—and when I first did it, I felt perverse.

—Diane Arbus, c. 1950

Modesty is a virtue not often found among poets, for almost every one of them thinks himself the greatest in the world.

—Miguel de Cervantes, 1615