It has always been my practice to cast a long paragraph in a single mold, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.

Art, like morality, consists of drawing the line somewhere.

I hate the whole race. There is no believing a word they say—your professional poets, I mean—there never existed a more worthless set than Byron and his friends for example.

To be a poet is to have a soul so quick to discern that no shade of quality escapes it, and so quick to feel that discernment is but a hand playing with finely ordered variety on the chords of emotion—a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.

Everyone should know nowadays the unimportance of the photographic in art—that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.

Were I called on to define, very briefly, the term art, I should call it “the reproduction of what the senses perceive in nature through the veil of the soul.” The mere imitation, however accurate, of what is in nature, entitles no man to the sacred name of “artist.”

I never know quite when I’m not writing. Sometimes my wife comes up to me at a party and says, Dammit, Thurber, stop writing. She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, Is he sick? No, my wife says, he’s writing something.

The aim of art is to represent not the outward appearance of things, but their inward significance.

Art is making something out of nothing and selling it.

A frenzied passion for art is a canker that devours everything else.

Modesty is a virtue not often found among poets, for almost every one of them thinks himself the greatest in the world.

Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture, or philosophy, he makes a bad husband and an ill provider.

I don’t believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there’s one thing that’s dangerous for an artist, it’s precisely this question of total freedom, waiting for inspiration and all the rest of it.