Elena Ferrante is unwillingly unmasked.
Volume X, Number 1 | winter 2017
Roman architect Vitruvius hated the first-century-BC design trend of walls painted with fantastic images. “On the stucco are monsters,” he wrote of a house whose walls also showed plant stalks and candelabra painted to mimic structural supports. “Such things neither are, nor can be, nor have been,” he complained. “The new fashions compel bad judges to condemn good craftsmanship for dullness.”
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