“Against the fashionable (and idiotic) claim that revenge is just hardwired and an instinctual response programmed into our genes and neuro-structures,” argues law professor William Ian Miller in an analysis of Njál’s Saga, “actual Icelandic feuding” rather “made it preferable for revenge to be served up cold; take your time and think. Only the stupid hit back right away.”
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The Talmud tells of a third-century rabbi named Joseph who died, saw a heavenly paradise, returned to life, and told his father of a world to come that would be “the reverse of this one—those who are on top here were below there, and vice versa.” “My son,” said his father, “you have seen a corrected world.”
When Apple released its Shuffle feature for iPods, users were deceived by the true randomness of its playback; songs from the same album or artist were often grouped by chance. Complaints led Steve Jobs to alter the device’s programming and begin offering Smart Shuffle, which allowed users to adjust the likelihood of hearing similar songs in a row. “We’re making it less random,” he said, “to make it feel more random.”
Sailors’ fear of bananas may extend back to seventeenth-century Spanish ships trading in the Caribbean. Crew members would often purchase wooden crates of the fruit, and when their vessels sailed north to pick up the Gulf Stream in the Straits of Florida, hazards of the passage shipwrecked many, leaving behind stray clumps of bananas floating ominously on the water’s surface for later ships to see.
“When Simonides or someone offered to teach him the art of memory,” Cicero noted in his De Finibus, the Athenian politician Themistocles “replied that he would prefer the art of forgetting. ‘For I remember,’ said he, ‘even things I do not wish to remember, but I cannot forget things I wish to forget.’ ”
To send a confidential note to Cyrus the Great along heavily guarded roads, sixth-century-bc Median noble Harpagus inserted a paper message into a dead hare’s belly and ordered a servant to pose as a hunter to deliver the corpse.
In 2009 a twenty-four-year-old policewoman in Long Branch, New Jersey, responded to complaints about an “eccentric-looking old man” peering into a house. She asked the man his name. “I’m Bob Dylan,” he said. “I’m on tour.” Taking him for a liar, she put him in the back of her car and drove him to his hotel, where others confirmed he really was the musician. “I think he named a couple of songs,” she later recalled. “But I wouldn’t have known any of the songs.”
After the Jacobites were defeated in 1746, a sympathizer named Flora Macdonald disguised Bonnie Prince Charlie as an Irish maid, smuggled him to her home on the Isle of Skye, and helped him escape to France. She then “took the sheets in which he had lain,” James Boswell later reported, “charged her daughter that they should be kept unwashed,” and asked to be buried in them as a shroud. She was.
Sherwood Anderson died in 1941 of peritonitis, having swallowed a toothpick at a party. He was sixty-four. Tennessee Williams choked to death on a plastic eye-drop cap at a hotel in 1983. He was seventy-one.
In The Master and Margarita, Mikhail Bulgakov fictionalized the well-known New Testament scene in which the Roman procurator Pontius Pilate offers the Jewish people the choice to save either the rebel Barabbas or Jesus Christ from execution. Bulgakov’s Yeshua declares that “all power is violence over people” and that “a time will come when there will be no power of the Caesars.” Pilate is deeply moved by the prisoner’s “mad utopian talk” and finds “no grounds for indictment”; when the crowd chooses to free Barabbas, Pilate feels “incomprehensible anguish” and an escalating migraine at being forced to sentence Yeshua to death.
Using symbolically coded messages hidden in beer barrels, Catholic conspirators communicated with the imprisoned Mary, Queen of Scots, about a plan to kill Elizabeth I. Francis Walsingham, the queen’s spymaster, obtained a message, employed a codebreaker, and found evidence that Mary approved of the assassination. She was beheaded for treason in 1587.
According to one theory, the association between storks and human infants in northern European folklore arose from an ancient Germanic custom of holding weddings on the summer solstice, before storks began their annual migration to Africa. Nine months later, when the babies conceived the previous summer were being born, the storks would return north to breed.