Hottentot Venus

The Curious in Ecstasy or Shoelaces, by Louis François Charon, 1815. Satire of English fascination with South African–born Saartjie Baartman, who was exhibited under the name Hottentot Venus. The British Museum, London.

Foreigners

Volume VIII, Number 1 | winter 2015

Preamble

Them

By Lewis H. Lapham

When we talk about the foreign, the question becomes one of us versus them. But in the end, is one just the opposite side of the other?

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Map

Us

Means of Inclusion

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Miscellany

In 1923 Jewish composer Arnold Schoenberg declined painter Wassily Kandinsky’s offer to join the Bauhaus, having heard that other members of the school were anti-Semitic. “For I have at last learned the lesson that has been forced upon me during this year,” Schoenberg wrote to Kandinsky, “and I shall not ever forget it. It is that I am not a German, not a European, indeed perhaps scarcely a human being (at least, the Europeans prefer the worst of their race to me), but I am a Jew.”

When the missionaries first came to Africa they had the Bible and we had the land. They said, “Let us pray.” We closed our eyes. When we opened them, we had the Bible and they had the land.

—Desmond Tutu, 1984