When a boat of carousing European sailors on the Bosporus awoke the sleeping Sultan Selim III one night in 1790, the Ottoman leader issued an emergency order to his administration against night revelers: “Warn all ambassadors and Europeans never to perform this shameless act again. I will mercilessly kill whoever does it.”

“When the white man landed on the moon, my father cried,” a young Oklahoma Indian told psychologist Robert Coles in the 1970s. “He was sure Indians were crying up there, and trying to hide, and hoping that soon they’d go back to their earth, the white men.” The boy also spoke to his aunt. “The moon is yours to look at and talk to,” she told him, “so don’t worry.”

In August 2018 data scientist David Bamman examined how authors recently interviewed in the New York Times’ By the Book column answered the question “What’s on your nightstand?” Women mentioned male and female authors almost equally; men mentioned male authors more than 79 percent of the time. “Don’t read in bed,” advised Fran Lebowitz. “It’s too stimulating. Watch TV instead. It’s boring.”

Psychologists at the University of California recognized a lack of sleep “as a social repellent” and its effect contagious: “People who come in contact with a sleep-deprived individual, even through a brief one-minute interaction, feel lonelier themselves as a result.”

Into the early modern period, the word bug referred to a phantom in the dark; a 1535 translation of the Bible made for Henry VIII came to be known as the Bug Bible for its rendering of Psalm 91:5 as “Thou shalt not nede to be afrayed of eny bugges by night.” The word was changed to terrors in later editions, but the original sense still colors the common bedtime warning against letting bedbugs bite.

“Considering how seldom people think of looking for sunset at all, and how seldom, if they do, they are in a position from which it can be fully seen,” it’s rare to witness an excellent one, John Ruskin argued in 1843. Evelyn Waugh saw a radiant pink sunset behind a shadow-gray Mount Etna in 1929. “Nothing I have ever seen in Art or Nature,” he wrote, “was quite so revolting.”

In Japanese tradition, ghosts and spirits are more likely to appear at dusk or dawn than in the middle of the night. “In order for people to see them and be frightened by them,” wrote folklorist Kunio Yanagita, “emerging in the pitch-dark after even the plants have fallen asleep is, to say the least, just not good business practice.”

Poet Edward Fairfax kept a 1621 account of his daughter Helen’s terrible nightmares, describing an incident in which she complained about a demonic white cat that “has been long upon me and drawn my breath.” The cat, she said, “has left in my mouth and throat so filthy a smell that it does poison me.”

Setting grim tales during nighttime was critiqued as a cliché in 1594 by Thomas Nashe. “When any poet would describe a horrible tragical accident,” he wrote, “to add the more probability and credence unto it, he dismally begins to tell how it was dark night when it was done.”