Opening night of Henry James’ Guy Domville, on January 5, 1895, was “an unmitigated disaster,” James wrote in a letter, “hooted at, as I was hooted at myself, by a brutal mob, and fruitless of any of the consequences for which I have striven.” The play’s reception, he wrote, “has completely sickened me with the theater and made me feel, at any rate for the present, like washing my hands of it forever.”
In 1919 a steel storage tank burst in Boston and spilled 2.3 million gallons of molasses, creating a twenty-five-foot-high wave that killed twenty-one people and tore buildings from foundations. The tank had leaked since its installation, but the company had, in response to complaints, merely painted it a concealing brown.
Sixteenth-century “father of mineralogy” Georgius Agricola critiqued “these attacks, which are so annoying,” made by those protesting how mining exterminated animals and poisoned brooks and streams. “With the metals that are melted from the ore,” he explained, “birds without number, edible beasts, and fish can be purchased elsewhere and brought to these mountainous regions.”