According to sixth-century-bc Greek poet Hipponax of Colophon, in times of drought, famine, or plague an ugly or deformed person was chosen by the community to be pharmakós, or scapegoat. After being fed figs, barley cake, and cheese, he would be struck on the genitals with the bulbs and twigs of wild plants, led on a procession accompanied by flute, and burned on a pyre. His ashes were thrown into the sea. It is believed that Hipponax, whom Pliny the Elder once called “notoriously ugly,” may have been exaggerating the ritual.

A 1959 Chicago Daily Tribune article about Robert Frost, who had recently proclaimed his confidence in humanity’s resilience in the face of missile threats, ran with the headline human race bomb proof, poet believes.

When Albert Einstein visited Beno Gutenberg, a seismologist at Caltech, in 1933, the two strolled around the Pasadena campus while Gutenberg explained earthquake science. Suddenly their wives arrived to inform them there had been a massive earthquake. “We had become so involved in seismology,” recalled Gutenberg later, “that we hadn’t noticed.”

Arthur Schopenhauer referred to insurance as “a public sacrifice made on the altar of anxiety.”

Opening night of Henry James’ Guy Domville, on January 5, 1895, was “an unmitigated disaster,” James wrote in a letter, “hooted at, as I was hooted at myself, by a brutal mob, and fruitless of any of the consequences for which I have striven.” The play’s reception, he wrote, “has completely sickened me with the theater and made me feel, at any rate for the present, like washing my hands of it forever.”