The opening of a particle accelerator at Brookhaven National Laboratory in 2000 inspired fears that high-speed collisions might launch a chain reaction that could turn the earth into a hyperdense sphere about one hundred meters across. A risk calculation determined this to be unlikely; if the collider were to run for ten years, the chance was no greater than 1 in 50 million. “The word unlikely, however many times it is repeated,” wrote concerned scientists, “just isn’t enough to assuage our fears of this total disaster.”

According to sixth-century-bc Greek poet Hipponax of Colophon, in times of drought, famine, or plague an ugly or deformed person was chosen by the community to be pharmakós, or scapegoat. After being fed figs, barley cake, and cheese, he would be struck on the genitals with the bulbs and twigs of wild plants, led on a procession accompanied by flute, and burned on a pyre. His ashes were thrown into the sea. It is believed that Hipponax, whom Pliny the Elder once called “notoriously ugly,” may have been exaggerating the ritual.

Opening night of Henry James’ Guy Domville, on January 5, 1895, was “an unmitigated disaster,” James wrote in a letter, “hooted at, as I was hooted at myself, by a brutal mob, and fruitless of any of the consequences for which I have striven.” The play’s reception, he wrote, “has completely sickened me with the theater and made me feel, at any rate for the present, like washing my hands of it forever.”

Arthur Schopenhauer referred to insurance as “a public sacrifice made on the altar of anxiety.”

A scientific study found that hurricanes given feminine names tend to be deadlier than those given masculine names; people consider them less risky and take inadequate precautions. “Changing a severe hurricane’s name from Charley to Eloise,” the study notes, “could nearly triple its death toll.”