A Spanish gallant in the sixteenth century who followed the contemporary fashion of padding his trunk-hose with quantities of bran was surprised to learn while entertaining ladies that a nail on his chair had opened a hole in his hose, and bran had started trickling out. The ladies laughed. He continued, encouraged, but bran soon was pouring forth. The ladies’ laughter increased. Finally, the gallant noticed the bran, bowed, and left in shame.
A king in twelfth-century-BC China enjoyed women wearing dangling pearls and jade in a “Hair-knot which Sways at Every Step”; the emperor who built the Great Wall favored the “Hair-knot which Rises Above the Clouds”; Tang women wore the “Hair-knot of the Homing Bird”; and a writer in the last years of the Manchu dynasty offered the name “Hair-knot of Disintegration and Homeless Wandering” for a style of the day. “The times are indeed out of joint!” he wrote. “I tremble to think of what is to come.”
When Amelia Earhart became the first woman to fly across the Atlantic as a passenger in June 1928, the New York Sun ran an article with the headline MISS EARHARD SPURNS FASHIONS: SHE CARES LITTLE ABOUT CLOTHES, DOES NOT USE LIPSTICK—LIKES TO FENCE AND DRIVE CAR. “Flying is a perfectly natural thing in her opinion,” it read, “and requires no special togs: a dress is as good air equipment as trousers.”