Discussing the “secret and more adult” appeal of Shirley Temple, Graham Greene wrote in his review of Wee Willie Winkie in 1937, “Her admirers—middle-aged men and clergymen—respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialog drops between their intelligence and their desire.” He also noted her “neat and well-developed rump” and “dimpled depravity.” Twentieth Century Fox sued for libel, Greene fled to Mexico, and a court ordered a settlement of 3,500 pounds.

The critic Vladimir Stassov recalled that when the composers Nikolai Rimsky-Korsakov and Modest Mussorgsky “were still young men living together in one room…The piano could be heard, and the singing would start, and with great excitement and bustle they would show me what they had composed the previous day, or the day before or the day before that—how wonderful it was."

Paul Cézanne’s father, a banker, was fond of telling his son, “Young man, young man, think of the future! With genius you die, with money you live.” At least this is according to Émile Zola, who recalled the words of admonishment in one of his letters to his friend Paul. The two had first met as teenagers at boarding school in the 1850s.

“I went sailing up to Great Point, which is fourteen miles. It was fine and rough so we went out in the open ocean and shipped water grandly. I have bought a large swordfish sword for the agassiz of an old salt by the name of Judas,” Ernest Hemingway wrote to his brother Marcelline in one of his earliest known letters, shortly after his eleventh birthday, in 1910.

“When I was young I walked all over this country, east and west,” said the Apache leader Cochise, “and saw no other people than the Apaches. After many summers I walked again and found another race of people had come to take it.”