After watching a performance of his play Peter Pan with his five-year-old godson, J. M. Barrie asked the boy what he had liked best. “What I think I liked best,” the boy replied, “was tearing up the program and dropping the bits on people’s heads.”

Phia Rilke’s infant daughter had died a year before she gave birth to her son. She named him René Maria—sometimes referring to him as Fräulein, Margaret, and Sophie—and gave him dolls to play with, dressing him as a girl until he was six years old. The poet did not start using Rainer instead of René until he was in his twenties.

Discussing the “secret and more adult” appeal of Shirley Temple, Graham Greene wrote in his review of Wee Willie Winkie in 1937, “Her admirers—middle-aged men and clergymen—respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialog drops between their intelligence and their desire.” He also noted her “neat and well-developed rump” and “dimpled depravity.” Twentieth Century Fox sued for libel, Greene fled to Mexico, and a court ordered a settlement of 3,500 pounds.

“I went sailing up to Great Point, which is fourteen miles. It was fine and rough so we went out in the open ocean and shipped water grandly. I have bought a large swordfish sword for the agassiz of an old salt by the name of Judas,” Ernest Hemingway wrote to his brother Marcelline in one of his earliest known letters, shortly after his eleventh birthday, in 1910.

“The death of a newborn child before that of its parents may seem an unnatural, but it is strictly a probable, event,” observed Edward Gibbon in his Memoirs. He was his parents’ first child; the next six all died in infancy. Some twenty years earlier, Jean-Jacques Rousseau wrote, “One half of the children who are born die before their eighth year…This is nature’s law; why contradict it?”