“Whom the gods love dies young,” wrote Menander in the late fourth century BC. “Whom the gods wish to destroy they first call promising,” Cyril Connolly noted over two millennia later.

Lorenzo de’ Medici once observed a young sculptor complete the head of an old and wrinkled faun whose mouth he had rendered open. While astonished at the craftsmanship, Lorenzo pointed out that old men never have all their teeth. Once the great patron of the arts had left, the artist knocked out one of the teeth; when Lorenzo returned and saw the statue again, he was so taken with the new version that he decided to adopt the artist, whose name was Michelangelo.

Alfred, Lord Tennyson, once said of Lord Byron, “I was fourteen when I heard of his death. It seemed an awful calamity; I remember I rushed out of doors, sat down by myself, shouted aloud, and wrote on the sandstone: BYRON IS DEAD!”

“When I was young I walked all over this country, east and west,” said the Apache leader Cochise, “and saw no other people than the Apaches. After many summers I walked again and found another race of people had come to take it.”

Phia Rilke’s infant daughter had died a year before she gave birth to her son. She named him René Maria—sometimes referring to him as Fräulein, Margaret, and Sophie—and gave him dolls to play with, dressing him as a girl until he was six years old. The poet did not start using Rainer instead of René until he was in his twenties.