When an “aggressive, independent woman” rejected his sermons in the fifteenth century, Heinrich Kramer prosecuted her as a witch. After she was acquitted, he and James Sprenger wrote the Malleus Maleficarum, a treatise on witchcraft that courts throughout Europe used to identify and prosecute witches. A century later a German eye­witness observed that “throughout the towns and villages of all the diocese scurried special accusers, inquisitors, notaries, jurors, judges, constables, dragging to trial and torture human beings of both sexes and burning them in great numbers…The children of those convicted and punished were sent into exile; their goods were confiscated.”

Primo Levi’s 1971 short story “Heading West” describes a group of indigenous people who refuse to partake in an experiment requiring them to take a new drug purported to end a suicide epidemic; the chief writes that his people “prefer freedom to drugs and death to illusion.” A few years later, after Levi’s German teacher was found hanged, Levi refused to sign a petition claiming that he had actually been murdered, insisting that “suicide is a right we all have.” In a letter, Levi described suicide as “an act of will, a free decision.” His own death in 1987—from a fall down his apartment building’s stairwell—was ruled a suicide, though some contemporary scholars have contested this.

In The Master and Margarita, Mikhail Bulgakov fictionalized the well-known New Testament scene in which the Roman procurator Pontius Pilate offers the Jewish people the choice to save either the rebel Barabbas or Jesus Christ from execution. Bulgakov’s Yeshua declares that “all power is violence over people” and that “a time will come when there will be no power of the Caesars.” Pilate is deeply moved by the prisoner’s “mad utopian talk” and finds “no grounds for indictment”; when the crowd chooses to free Barabbas, Pilate feels “incomprehensible anguish” and an escalating migraine at being forced to sentence Yeshua to death.