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Soldiers and police establishing line at door of the Morgan Bank after anti-capitalist Wall Street bombing, September 16, 1920.

Preamble

Crime Scenes

By Lewis H. Lapham

The American fondness for the dressing up of crime in the costumes of romance is an amusement priced at too high a cost.

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Original death chamber at the Red Hat Cell Block, West Feliciana Parish, Louisiana, 2010. Photograph by Lee Honeycutt.

Essay

Staking a Life

By Christopher Hitchens

Why is the United States so wedded to the infliction of the death penalty?

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Group of people gathered around a burning pyre on top of an altar strewn with flowers.

Essay

Law & Order

By Michael Dirda

A reconsideration of Aeschylus’ The Oresteia.

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Painting of sailors fighting pirates

Essay

Hostile Takeovers

By Matthew Power

Are the values espoused by Somali pirates so very different from those upon which America was founded?

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Film noir title screens.

Essay

Murder in Black & White

By Nathaniel Rich

A history of film noir, America’s cinematic take on life on the bottom.

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Depiction of Dashiell Hammett's character Sam Spade, cover of Black Mask magazine, September 1929.

Essay

From the Drawing Room to the Gutter

By Charles Taylor

Crime fiction affords its readers a way to acknowledge the world’s violence without either succumbing to despair or believing it can be made to go away.

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