The less intelligent the white man is, the more stupid he thinks the black.—André Gide, 1927
Whether that mattress was stuffed with corncobs or broken crockery, there is no telling, but I rolled about a good deal, and could not sleep for a long time. At last I slid off into a light doze, and had pretty nearly made a good offing towards the land of Nod, when I heard a heavy footfall in the passage, and saw a glimmer of light come into the room from under the door.
Lord save me, thinks I, that must be my bedfellow, the harpooner, the infernal head peddler. But I lay perfectly still, and resolved not to say a word till spoken to. Holding a light in one hand, and that identical New Zealand head in the other, the stranger entered the room, and without looking towards the bed, placed his candle a good way off from me on the floor in one corner, and then began working away at the knotted cords of a large bag. I was all eagerness to see his face, but he kept it averted for some time while employed in unlacing the bag’s mouth. This accomplished, however, he turned round—when, good heavens! What a sight! Such a face! It was of a dark, purplish, yellow color, here and there stuck over with large, blackish looking squares. Yes, it’s just as I thought, he’s a terrible bedfellow; he’s been in a fight, got dreadfully cut, and here he is, just from the surgeon. But at that moment he chanced to turn his face so toward the light, that I plainly saw they could not be sticking plasters at all, those black squares on his cheeks. They were stains of some sort or other. At first I knew not what to make of this; but soon an inkling of the truth occurred to me. I remembered a story of a white man—a whaleman too—who, falling among the cannibals, had been tattooed by them. I concluded that this harpooner, in the course of his distant voyages, must have met with a similar adventure. And what is it, thought I, after all! It’s only his outside; a man can be honest in any sort of skin. But then, what to make of his unearthly complexion, that part of it, I mean, lying round about, and completely independent of the squares of tattooing. To be sure, it might be nothing but a good coat of tropical tanning; but I never heard of a hot sun’s tanning a white man into a purplish yellow one. However, I had never been in the South Seas; and perhaps the sun there produced these extraordinary effects upon the skin. Now, while all these ideas were passing through me like lightning, this harpooner never noticed me at all. But, after some difficulty having opened his bag, he commenced fumbling in it, and presently pulled out a sort of tomahawk, and a sealskin wallet with the hair on. Placing these on the old chest in the middle of the room, he then took the New Zealand head—a ghastly thing enough—and crammed it down into the bag. He now took off his hat—a new beaver hat—when I came nigh singing out with fresh surprise. There was no hair on his head—none to speak of at least—nothing but a small scalp-knot twisted up on his forehead. His bald, purplish head now looked for all the world like a mildewed skull. Had not the stranger stood between me and the door, I would have bolted out of it quicker than ever I bolted a dinner.
Even as it was, I thought something of slipping out of the window, but it was the second-floor back. I am no coward, but what to make of this head-peddling purple rascal altogether passed my comprehension. Ignorance is the parent of fear, and being completely nonplussed and confounded about the stranger, I confess I was now as much afraid of him as if it was the devil himself who had thus broken into my room at the dead of night. In fact, I was so afraid of him that I was not game enough just then to address him, and demand a satisfactory answer concerning what seemed inexplicable in him.
Checkpoint, 1975, by Stan Douglas, 2012. Digital chromogenic print mounted on Dibond aluminum, 52 x 119 ½ inches. © courtesy the artist and David Zwirner, New York.
Meanwhile, he continued the business of undressing, and at last showed his chest and arms. As I live, these covered parts of him were checkered with the same squares as his face; his back, too, was all over the same dark squares; he seemed to have been in a Thirty Years’ War, and just escaped from it with a sticking-plaster shirt. Still more, his very legs were marked, as if a parcel of dark green frogs were running up the trunks of young palms. It was now quite plain that he must be some abominable savage or other shipped aboard of a whaleman in the South Seas, and so landed in this Christian country. I quaked to think of it. A peddler of heads too—perhaps the heads of his own brothers. He might take a fancy to mine—heavens! Look at that tomahawk!
But there was no time for shuddering, for now the savage went about something that completely fascinated my attention, and convinced me that he must indeed be a heathen. Going to his heavy grego, or wrapall, or dreadnaught, which he had previously hung on a chair, he fumbled in the pockets, and produced at length a curious little deformed image with a hunch on its back, and exactly the color of a three days’ old Congo baby. Remembering the embalmed head, at first I almost thought that this black manikin was a real baby preserved in some similar manner. But seeing that it was not at all limber, and that it glistened a good deal like polished ebony, I concluded that it must be nothing but a wooden idol, which indeed it proved to be. For now the savage goes up to the empty fireplace, and removing the papered fireboard, sets up this little hunchbacked image, like a tenpin, between the andirons. The chimney jambs and all the bricks inside were very sooty, so that I thought this fireplace made a very appropriate little shrine or chapel for his Congo idol.
All these queer proceedings increased my uncomfortableness, and seeing him now exhibiting strong symptoms of concluding his business operations, and jumping into bed with me, I thought it was high time, now or never, before the light was put out, to break the spell in which I had so long been bound.
But the interval I spent in deliberating what to say was a fatal one. Taking up his tomahawk from the table, he examined the head of it for an instant, and then holding it to the light, with his mouth at the handle, he puffed out great clouds of tobacco smoke. The next moment the light was extinguished, and this wild cannibal, tomahawk between his teeth, sprang into bed with me. I sang out, I could not help it now; and giving a sudden grunt of astonishment he began feeling me.
Stammering out something, I knew not what, I rolled away from him against the wall, and then conjured him, whoever or whatever he might be, to keep quiet, and let me get up and light the lamp again. But his guttural responses satisfied me at once that he but ill comprehended my meaning.
“Who-e debel you?”—he at last said—“you no speak-e, dam-me, I kill-e.” And so saying the lighted tomahawk began flourishing about me in the dark.
“Landlord, for God’s sake, Peter Coffin!” shouted I. “Landlord! Watch! Coffin! Angels! save me!”
“Speak-e! Tell-ee me who-ee be, or dam-me, I kill-e!” again growled the cannibal, while his horrid flourishings of the tomahawk scattered the hot tobacco ashes about me till I thought my linen would get on fire. But thank heaven, at that moment the landlord came into the room light in hand, and leaping from the bed I ran up to him.
“Don’t be afraid now,” said he, grinning again. “Queequeg here wouldn’t harm a hair of your head.”
“Stop your grinning,” shouted I, “and why didn’t you tell me that that infernal harpooner was a cannibal?”
“I thought ye know’d it—didn’t I tell ye, he was a-peddlin’ heads around town?—but turn flukes again and go to sleep. Queequeg, look here—you sabbee me, I sabbee you—this man sleepe you—you sabbee?”
“Me sabbee plenty,” grunted Queequeg, puffing away at his pipe and sitting up in bed.
“You gettee in,” he added, motioning to me with his tomahawk, and throwing the clothes to one side. He really did this in not only a civil but a really kind and charitable way. I stood looking at him a moment. For all his tattooings he was on the whole a clean, comely looking cannibal. What’s all this fuss I have been making about, thought I to myself—the man’s a human being just as I am: he has just as much reason to fear me, as I have to be afraid of him. Better sleep with a sober cannibal than a drunken Christian.
From Moby Dick. After writing two successful adventure novels, Typee and Omoo, based on his experiences as a sailor, Melville published the more allegorical Mardi in 1849; it did not sell well. He wrote a letter to author and attorney Richard Henry Dana Jr. in 1850, in it making the earliest known mention of Moby Dick: “It will be a strange sort of book, tho’, I fear; blubber is blubber you know; tho’ you may get oil from it, the poetry runs as hard as sap out of a frozen maple tree.” When Melville died at the age of seventy-two in 1891, one obituary noted that “even his own generation has long thought him dead.”