The Oath of the Horatii, by Jacques-Louis David, 1784. Louvre, Paris.
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Miscellany
A character in Stendhal’s The Red and the Black, which is set in the run-up to the July Revolution in France, says at one point, “Politics…is a stone tied round the neck of literature which submerges it in less than six months. Politics in the midst of imaginative matter is like a pistol shot in the middle of a concert. The noise is racking without being energetic. It does not harmonize with the sound of any instrument.”
The peasants alone are revolutionary, for they have nothing to lose and everything to gain. The starving peasant, outside the class system, is the first among the exploited to discover that only violence pays. For him there is no compromise, no possible coming to terms.
—Frantz Fanon, 1961
