Queen Elizabeth I, c. 1600. National Portrait Gallery, London.

Queen Elizabeth I, c. 1600. National Portrait Gallery, London. 

Politics

Volume V, Number 4 | fall 2012

Miscellany

In The Third Man, Orson Welles’ character Harry Lime says, “In Italy for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace, and what did that produce? The cuckoo clock.” Graham Greene, who co-wrote the script with director Carol Reed, said that it was “the best line of the film”—and that Welles wrote it. Welles recalled, “When the picture came out, the Swiss very nicely pointed out to me that they’ve never made any cuckoo clocks—they all come from the Schwarzwald in Bavaria!”

The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.

—H.L. Mencken, 1921