Merry Company on a Terrace, by Jan Steen, c. 1670. © The Metropolitan Museum of Art, Fletcher Fund, 1958.
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Miscellany
The medieval Occitan troubadour known as the Monk of Montaudon was a master of the enueg, “song of annoyance.” “I can’t stand a long wait,” he complains in one composition, written around 1200, “Or a priest who lies and perjures himself / Or an old whore who is past it, / And—by Saint Delmas—I don’t like / A base man who enjoys too much comfort.” The song goes on in this fashion for nine more verses.
All of the great musicians have borrowed from the songs of the common people.
—Antonín Dvořák, 1893






