Tuesday, September 23rd, 2014
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1920 / San Francisco

The Scene Almost Staggers



What fetched me instantly—and thousands of other newcomers with me—was the subtle but unmistakable sense of escape from the United States, the feeling that here at last was an American city that somehow managed to hold itself above pollution by the national philistinism and craze for standardization, the appalling progress of 100 percent Americanism, the sordid and pathetic dreams of unimaginative, timorous, and inferior men.

The East, it seems to me, is gone, and perhaps for good. All the towns along the seaboard are now as alike as so many soldiers in a row. They think alike. They hope and fear alike. They smell alike. They begin to look alike. What one says all the others say. What one does all the others do. It is as if some gigantic and relentless force labored to crush all personality, all distinction, all tang and savor out of them. They sink to the spiritual and intellectual level of villages—fat, lethargic, and degraded. Their aspirations are the aspirations of curb brokers, greengrocers, and honorary pallbearers. The living hope of their typical citizen is to die respected by bank cashiers, Young Men’s Christian Association secretaries, and policemen. They are ironed out, disemboweled, denatured, dephlogisticated, salted down, boiled, baked, dried in a kiln.

Think of Washington: a hundred thousand miserable botches of ninth-rate clerks, all groveling at the feet of such puerile caricatures as Daniels, Burleson, and Palmer. Baltimore: mile after mile of identical houses, all inhabited by persons who regard Douglas Fairbanks as a greater man than Beethoven. (What zoologist, without a blood count and a lumbar puncture, could distinguish one Baltimorean from another?) Philadelphia: an intellectual and cultural slum. Newark: a worse one. New York: a wholesale district with an annex for entertaining the visiting trade. New Haven and Hartford: blanks. Boston: a potter’s field, a dissecting room. Mental decay in all its forms, but one symptom there is in common: the uneasy fear of ideas, the hot yearning to be correct at all costs, the thirst to be well esteemed by cads.

What is it that lifts San Francisco out of that wallow? I am not all sure. It may be something intrinsic—specifically, something ethnological. The stock out there differs visibly from any eastern stock that I know. It is not that half of the people are actual foreigners, for that is also true of New York and nearly true of Baltimore; it is that the native born belong to a distinct strain, mentally and physically—that the independence and enterprise of the pioneers are still in them—that their blood is still running hot and clear. Above all, remember the recentness of this heritage. They are not the children of men who were bold and daring in the seventeenth century, but the children of men who were bold and daring in the midnineteenth.

I met a man in the Bohemian Club who began to tell me casually of his grandmother. This lady, an Irishwoman of good birth, came to California from Ireland in 1849, by way of Panama. Imagine the journey: the long sea voyage, the infernal struggle across the Isthmus, the worse trip up the coast, the trek inland. Well, she brought a piano with her!—got it aboard ship in Ireland, guarded it all the way to Panama, dragged it through the jungle, then shipped it again, and finally packed it to her home in the hills! I dare say many of us could find such grandmothers, going back far enough. But in 1849—seventy years ago? Our Baltimore grandmothers in 1849 were sitting snugly by the new Latrobe stoves, reading Dombey and Son and knitting socks.

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About the Author

H. L. Mencken, from “San Francisco: A Memory.” As a reporter and columnist for the Baltimore Sun from 1906 until his death at the age of seventy-five in 1956, Mencken decried the complacency of the middle class, or “booboisie,” while working to promote the emergent work of Sinclair Lewis and Theodore Dreiser. Although known primarily as a satirist, he also produced the important philological work The American Language.

Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
John Berger, 1987
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Lewis H. Lapham is Editor of Lapham's Quarterly. He also serves as editor emeritus and national correspondent for Harper's magazine.
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