Monday, May 20th, 2013
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Talking Cure

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Client: Men are all alike.

ELIZA (a computer): In what way

Client: They’re always bugging us about something or other.

ELIZA: Can you think of a specific example

Client: Well, my boyfriend made me come here.

ELIZA: Your boyfriend made you come here

Client: He says I’m depressed much of the time.

ELIZA: I am sorry to hear you are depressed

Client: It’s true. I am unhappy.

ELIZA: Do you think coming here will help you not to be unhappy

Client: I need some help, that much seems certain.

ELIZA: What would it mean to you if you got some help

Client: Perhaps I could learn to get along with my mother.

ELIZA: Tell me more about your family

Client: My mother takes care of me.

ELIZA: Who else in your family takes care of you

Client: My father.

ELIZA: Your father

Client: You are like my father in some ways.

ELIZA: What resemblance do you see

Client: You are not very aggressive, but I think you don’t want me to notice that.

ELIZA: What makes you think I am not very aggressive

Client: You don’t argue with me.

ELIZA: Why do you think I don’t argue with you

Client: You are afraid of me.

ELIZA: Does it please you to believe I am afraid of you

Client: My father is afraid of everybody.

ELIZA: What else comes to mind when you think of your father

Client: Bullies.

ELIZA: Does that have anything to do with the fact that your boyfriend made you come here

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About the Text

Transcription from “Computational Linguistics” by Joseph Weizenbaum. Named after George Bernard Shaw’s ingénue in Pygmalion, the ELIZA program operated within the Project MAC computer system at MIT and made natural language exchange between man and machine possible. ELIZA identified key words and phrases and responded with rote answers that simulated a conversation. As its developer, Weizenbaum was alarmed at how attached users became to the program and cautioned against reliance on artificial intelligence in Computer Power and Human Reason, published in 1976.

Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?
Alfred Hitchcock, 1962
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