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1935 / Watts

Charles Mingus Decides to Wait

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At thirteen, my boy Charles arrived at the conclusion that there was more to life than people have time for. Important things came in such rapid succession that he’d hardly begun to solve a problem before another arose and each day burning questions were crowded out by new ones and disappeared into the past unanswered.

He began to realize he had some sort of mystic powers. He felt he was able to touch people, to contact certain souls in the next room or miles away or even those who had died. In later years he had this special kind of empathy with Farwell Taylor, an artist friend of his in Mill Valley, and they often experienced a mysterious awareness of each other while in different parts of the world.

Ever since Elsinore and the afternoon at Mr. Rodia’s, Charles had felt a telepathic communication with Lee-Marie. He was sure they were having the same dreams and thoughts and feelings at the same moments in time. So he wasn’t at all surprised when he boldly asked for her number and she answered herself and said immediately, “Oh, Charles, I knew it was you!”

As if it were the most natural thing in the world and they saw each other all the time, he invited her to go to the show at the Largo in Watts on Saturday afternoon. He knew she’d say yes and she did. The rest of my boy’s week was full of anxious calculations. He’d already spent a nickel of his twenty-five-cent weekly allowance and he knew better than to ask for an advance. Admission price, a dime apiece. Ice cream sodas, fifteen each. He rummaged in Daddy’s vest pocket, stuffed with Chinese lottery tickets and poker chips, found an extra quarter and copped it without a qualm. Total, forty-five cents. Five cents short can be as big a problem as five hundred dollars short, depending on circumstances. He knew he had to cut-rate his way in somehow. The kids told him Stewart Harrington, the Largo Theatre doorman and ticket taker, was beyond bribery, but you could get an usher to sneak you in the back door for a nickel. Then you’d go out front, ask for a return pass, meet your girl at the candy store, pay for the sodas, take her back to the theater and buy her a real ticket and you’re both safe inside. Total, forty-five cents.

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About the Text

From Beneath the Underdog. In elementary school Mingus played in the Los Angeles Junior Philharmonic, but listening to Duke Ellington on the radio shifted his focus from Claude Debussy to jazz. His improvisation on the double bass made him the forerunner of the modern jazz movement; he regarded his music as a form of self-liberation, "the only place I can be free."

Men who do not make advances to women are apt to become victims to women who make advances to them.
Walter Bagehot, 1880
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