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The Next Future

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But to return, if I may use the expression, to the future...
                                                                                                     —J. B. S. Haldane, 1924

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During a summer in the late 1960s I discovered an easy and certain method of predicting the future. Not my own future, the next turn of the card, or market conditions next month or next year, but the future of the world lying far ahead. It was quite simple. All that was needed was to take the reigning assumptions about what the future was likely to hold, and reverse them. Not modify, negate, or question, but reverse. It was self-evident that this was the right method, because so many of the guesses that the past had made about its then future—that is, my own present—had turned out to be not only wrong but the opposite of what came to be instead, the more so the further ahead they had been projected.

You could, of course, riffle through the old predictions and now and then find some tool or technique, some usage or notion, some general idea of how things would get gradually better or suddenly worse, that seemed eerily to foreshadow the actual; but that was really a game, where you took some aspect of the present and tried to match it with what the past had once thought up. Captain Nemo’s submarine is driven by a heatless inexhaustible power source—Jules Verne predicted the nuclear sub! What was almost never predicted correctly was what the present world would be like: like to be in and to experience. There is a wonderful moment in Edward Bellamy’s influential futurist utopian tract Looking Backward (1888) where a character, having fallen asleep in the 1880s and awakened in the year 2000, rushes out of the house to see the new world—after fortunately finding among the hats on the hatrack by the door a hat that fits him. In the future we, at least we proper folk, will still not go “bareheaded” or “hatless” into the street, for fear of being thought mad or distracted.

So it seemed clear to me that if you simply reversed what the past had imagined, you got something close to the real existing present. The same principle would therefore work for the future, and I went about applying it to the limning of the world that would exist in, say, five hundred years’ time. (I had nothing to do that summer; I had lost my job and was squatting in an unoccupied building as a sort of watchman. It was the time and the moment to think up things never before thought up.)

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Comments Post a Comment »

  • John Crowley's imaginary novel is, as it happens, ALWAYS COMING HOME, by Ursula K. Le Guin (1985).

    Posted by Damien Broderick on Sun 9 Oct 2011

  • Brilliant article, compelling and entertaining. I just shared with facebook.

    Posted by Fi Benson on Mon 10 Oct 2011

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The Future
About the Author

John Crowley is the author of eleven novels, including Little, Big, the Ægypt Cycle, and his most recent, Four Freedoms. He teaches creative writing at Yale University. His last essay for Lapham’s Quarterly appeared in the Summer 2010 issue Sports & Games.

The day the world ends, no one will be there, just as no one was there when it began. This is a scandal. Such a scandal for the human race that it is indeed capable collectively, out of spite, of hastening the end of the world by all means just so it can enjoy the show.
Jean Baudrillard, 1987
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