Wednesday, June 19th, 2013
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1509 / Vatican City

Injured On the Job

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I’ve grown a goiter by dwelling in this den—
    As cats from stagnant streams in Lombardy,
    Or in what other land they hap to be—
    Which drives the belly close beneath the chin:
My beard turns up to heaven; my nape falls in,
    Fixed on my spine: my breastbone visibly
    Grows like a harp: a rich embroidery
    Bedews my face from brush drops thick and thin.
My loins into my paunch like levers grind:
    My buttock like a crupper bears my weight;
    My feet unguided wander to and fro;
In front my skin grows loose and long; behind,
    By bending it becomes more taut and strait;
    Crosswise I strain me like a Syrian bow:
            Whence false and quaint, I know,
    Must be the fruit of squinting brain and eye;
    For ill can aim the gun that bends awry.
            Come then, Giovanni, try
    To succor my dead pictures and my fame;
    Since foul I fare and painting is my shame.

© 1963 by Thames and Hudson. Used with permission of Thames and Hudson.

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Arts & Letters
About the Author

Michelangelo, from a poem. Michelangelo primarily considered himself to be a sculptor of marble, rising to prominence in his midtwenties for his Pieta of 1498 and his David of 1504. Our contemporary adoration of his Sistine Chapel frescoes is in part a result of the twentieth century’s veneration of painting over other art forms.

Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture, or philosophy, he makes a bad husband and an ill provider.
Ralph Waldo Emerson, 1860
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