Wednesday, February 8th, 2012
Facebook / Twitter / Tumblr / Podcast

1509 / Vatican City

Injured On the Job

Tags:
,
,
,
,
,

I’ve grown a goiter by dwelling in this den—
    As cats from stagnant streams in Lombardy,
    Or in what other land they hap to be—
    Which drives the belly close beneath the chin:
My beard turns up to heaven; my nape falls in,
    Fixed on my spine: my breastbone visibly
    Grows like a harp: a rich embroidery
    Bedews my face from brush drops thick and thin.
My loins into my paunch like levers grind:
    My buttock like a crupper bears my weight;
    My feet unguided wander to and fro;
In front my skin grows loose and long; behind,
    By bending it becomes more taut and strait;
    Crosswise I strain me like a Syrian bow:
            Whence false and quaint, I know,
    Must be the fruit of squinting brain and eye;
    For ill can aim the gun that bends awry.
            Come then, Giovanni, try
    To succor my dead pictures and my fame;
    Since foul I fare and painting is my shame.

© 1963 by Thames and Hudson. Used with permission of Thames and Hudson.

Bookmark and Share
Love this? Subscribe to Lapham's Quarterly today.

Get one free trial issue of Lapham's Quarterly!

  • Fill out this order form.
  • If you like the magazine, get the rest of the year for just $49 (4 issues in all).
  • If not, simply write cancel on the bill, return it, and owe nothing.
Please enter a first name.
Please enter a last name.
Please enter an address.
Please enter a city.
Please select a state.
Please enter a valid
zip code.
Please select a country.

Canadian subscribers add $10; All other international subscribers add $40.

Post a Comment

Note: Several minutes will pass while the system is processing and posting your comment. Do not resubmit during this time or your comment will post multiple times.

Published In
Arts & Letters
About the Author

Michelangelo, from a poem. Michelangelo primarily considered himself to be a sculptor of marble, rising to prominence in his midtwenties for his Pieta of 1498 and his David of 1504. Our contemporary adoration of his Sistine Chapel frescoes is in part a result of the twentieth century’s veneration of painting over other art forms.

One often hears of writers that rise and swell with their subject, thought it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor’s quill! Give me Vesuvius’ crater for an inkstand! Friends, hold my arms!
Herman Melville, 1851
Visual Aids
Family Planning Adoption, fertility, contraception, and infanticide around the world and throughout time
Art, Photography, & Illustrations View a selection of art from our latest issue.
Charts & Graphs All of our charts and graphs, pulled from the pages of Lapham’s Quarterly.
Events & News
September 15 / Open the seventh seal! The Fall issue of Lapham's Quarterly, "The Future," will hit newsstands on September 15. More
Reader Survey Take the LQ reader survey! Your two cents will help us keep making history ... Take Survey
Apropos

In Stir

No. 44

Subscribe
Current Issue Family Winter 2012
Blogs

Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player

Audio & Video
LQ Podcast:
Peter Ackroyd
Author and translator Peter Ackroyd talks with Aidan Flax-Clark about his new retelling of Thomas Malory’s Le Morte D’Arthur and discusses a little bit about his most recent book of London history, London Under.
Eponym
Lewis H. Lapham is Editor of Lapham's Quarterly. He also serves as editor emeritus and national correspondent for Harper's magazine.
Recent Issues