Wednesday, May 22nd, 2013
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Stories to Live With

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We tell stories about the dead in order that they may live, if not in body then at least in mind—the minds of those left behind. Although the dead couldn’t care less about these stories—all available evidence suggests the dead don’t care about much—it seems that if we tell them often enough, and listen carefully to the stories of others, our knowledge of the dead can deepen and grow. If we persist in this process, digging and sifting, we had better be prepared for hard truths; like rocks beneath the surface of a plowed field, they show themselves eventually.

The story of my brother’s life is complicated by the fact that in my earliest memories there is no such thing as him or me. My brother was born one year and nine days after me, and although I was older, I have no recollection of life before he arrived. Growing up on a small family farm, we were alone in our play, and before the age of five it was always Dan and me together, sneaking strawberries from the garden, building snowmen in the yard until the darkness fell and our cheeks stung from the cold, whispering in our bunk beds at night. We were more than accomplices, much more even than friends; we were all the other had.

My going to school a year before him loosened that bond, as did overheard jokes about our paternity, for though we were close in age we soon became very different people, to the point where that was our most notable characteristic, the one other people fixated on—our difference. The contrast began but did not end with our physical appearance: his hair was red and his skin pale, while I had our mother’s olive complexion and black hair. Our personalities and interests formed as distinctly as our features. As a teenager my major obsession was sports. I trained for basketball and track in the humid clamor of the school weight room; I pored over copies of the Sporting News after I finished my homework at night. Dan focused his efforts on the wood shop, becoming skilled enough to hire on during summers with his shop teacher, with whom he built furniture and cabinets. As a wrestler, he viewed my passion for basketball as something of a retreat from manlier pursuits. Insofar as my teenage mind believed anything with bedrock conviction, it was that the fast-break style of the Los Angeles Lakers in the Showtime years was the pinnacle of team-sport artistry, and Dan responded by claiming that the Detroit Pistons—known as the Bad Boys, for their intimidating physicality and brutish antics—were his favorite team. Sports fandom, I see now, was an incidental part of his life, a wholly reactionary stance. He spent the weekends tinkering with cars, an investment of time and energy that confounded me, since he would smash them during races at the county fair each August, undoing all his hard work in a few loops around the track.

Our divergent life choices after graduation surprised no one, each of us serving as a foil for the other. He entered the blue-collar workforce, installing fiber-optic cable, while I, sensitive and brooding, went to college thinking I’d become a writer. People no longer joked about how different we were. After a certain point, it was too obvious to be funny.


During winter break my junior year at the University of St. Thomas, in St. Paul, I took a week and drove to Albuquerque, to look in on his life in New Mexico. Dan had lived there for two years, and although we’d seen each other a couple of times around the holidays, I’d yet to pay him a visit in his new home. He was to be married that June, and I figured I ought to meet his fiancée before the week of their wedding. When I arrived, it seemed we were the same oddball brothers, only more so. We eyed each other warily, him in pointy-toed cowboy boots and a big white ten-gallon hat, me decked out in the uniform of the aspiring campus radical: East German army pants and calf-high combat boots, aggressive sideburns sculpted on my cheeks.

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Comments Post a Comment »

  • Not to deflate this writer's balloon, but why did he think his work was done? The perp admitted his guilt -- no guiltless person would stop at lack of memory; he had said that because he didn't know what proof the writer had and feared violence or public exposure too much to deny it outright. So why did the writer not look into what access the perp had to any small children at this point? Even if the perp were childless and worked in a corporation, was he a youth pastor, a scout master, a peewee ball coach? The writer has no reason to blame himself for his brother's death, but if what he wanted was justice, there is plenty left to be wrung out.

    Posted by Mike on Sat 24 Dec 2011

  • Agree with Mike's comment.

    The writer's brother would have truly died in vain if the pedophile is not brought to justice. The same "reliable sources" proves that pedophiles have a pattern of doing this not on just one but many children. For the writer to protect the identity of the abuser and bring a touch of bad taste to his brother for being an unwilling victim shows everything that is wrong with our society today.

    It just so seems, after reading this article, that perhaps it is better for our male (the females have far much more help: a mere accusation instantly brings legal circus around the male abusers) victims simply turn over and die than be empowered against their abusers.

    Posted by Ben on Sun 25 Dec 2011

  • Reminds me of Anne Enricht's "Gathering", except for the ending that takes the story in a different direction.

    Posted by Michal on Mon 26 Dec 2011

  • Mike and Ben: to report what else he did with the information he had is another essay, another purpose than this essay serves. The author is not writing a 'coming to justice' nor an education piece for victims of abusers. What you both say, that abusers should be reported, even decades after the fact, is all true. What the author did or didn't do in those terms are not part of this narrative.

    Posted by Grant on Mon 16 Jan 2012

  • Of course what the author did/didn't do is part of this narrative. Did you not read to the end? He spends the ultimate paragraph discussing his feeling of release after looking at the perpetrator; clearly the author's impression that "[his] work was done" is meant to operate as the cathartic moment of the essay.

    Posted by Mike on Thu 2 Feb 2012

  • There is room for compassion here, there is room to embrace this grieving man and point him toward groups waiting to give him solace and power to handle this unspeakable thing left only to him. As a group we are charged to want justice and I am convinced it will come more quickly when we lend the man a hand rather than piling on with recriminations. He did not owe us a Chapter Two. I am certain we all encourage him to find the group that will take him through the next steps because he is not alone. I leave it to readers to do their own web search, it will not take long to find the appropriate and welcoming sites. RSD

    Posted by Roberta on Fri 10 Feb 2012

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About the Author

Philip Connors is currently at work on a memoir about his brother, to be published by W. W. Norton. His book Fire Season: Field Notes From a Wilderness Lookout will appear in paperback from Ecco Press in February 2012. His last essay for Lapham’s Quarterly appeared in the Spring 2011 issue, Lines of Work.

You don’t have to deserve your mother’s love. You have to deserve your father’s. He’s more particular. The father is always a Republican towards his son, and his mother’s always a Democrat.
Robert Frost, 1960
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